Wikipedia

Louisa May Alcott

Louisa May Alcott (/ˈɔːlkət, -kɒt/; November 29, 1832 – March 6, 1888) was an American novelist, short story writer, and poet best known for writing the novel Little Women (1868) and its sequels Good Wives (1869), Little Men (1871) and Jo's Boys (1886).[1] Raised in New England by her transcendentalist parents, Abigail May and Amos Bronson Alcott, she grew up among many well-known intellectuals of the day, including Margaret Fuller,[2] Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, and Henry Wadsworth Longfellow.[3]

Louisa May Alcott
Alcott, c. 1870
Alcott, c. 1870
Born(1832-11-29)November 29, 1832
Germantown, Pennsylvania U.S. (present-day Philadelphia)
DiedMarch 6, 1888(1888-03-06) (aged 55)
Boston, Massachusetts, U.S.
Resting placeSleepy Hollow Cemetery, Concord, Massachusetts, U.S.
Pen nameA. M. Barnard
OccupationNovelist
PeriodAmerican Civil War
Genre
SubjectYoung adult fiction
Signature

Alcott's family suffered from financial difficulties, and while she worked to help support the family from an early age, she also sought an outlet in writing. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used pen names such as A. M. Barnard, under which she wrote lurid short stories and sensation novels for adults that focused on passion and revenge.[4]

Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts, and is loosely based on Alcott's childhood experiences with her three sisters, Abigail May Alcott Nieriker, Elizabeth Sewall Alcott, and Anna Alcott Pratt. The novel was well-received at the time and is still popular today among both children and adults. It has been adapted for stage plays, films, and television many times.

Alcott was an abolitionist and a feminist and remained unmarried throughout her life. She also spent her life active in reform movements such as temperance and women's suffrage.[5] She died from a stroke in Boston on March 6, 1888, just two days after her father's death.

Early life edit

 
Louisa May Alcott at age 20

Louisa May Alcott was born on November 29, 1832,[1] in Germantown,[1] which is now part of Philadelphia, Pennsylvania, on her father's 33rd birthday. Her parents were transcendentalist and educator Amos Bronson Alcott and social worker Abigail "Abba" May. She was the second of four daughters: Anna Bronson Alcott was the eldest, while Elizabeth Sewall Alcott and Abigail May Alcott were the two youngest. As a child, she was a tomboy who preferred boys' games.[6] The family moved to Boston in 1834,[7] where Alcott's father established the experimental Temple School and joined the Transcendental Club with Ralph Waldo Emerson and Henry David Thoreau. Bronson Alcott's opinions on education, tough views on child-rearing, and moments of mental instability shaped young Alcott's mind with a desire to achieve perfection, a goal of the transcendentalists.[8] His attitudes towards Alcott's wild and independent behavior and his inability to provide for his family created conflict between Bronson Alcott, his wife, and their daughters.[8][9] Abigail reportedly resented her husband's inability to recognize her sacrifices and related his thoughtlessness to the larger issue of the inequality of sexes. She passed this recognition and desire to redress wrongs done to women on to Louisa.

External videos
  Tour of Orchard House, June 19, 2017, C-SPAN

In 1840, after several setbacks with Temple School, the Alcott family moved to a cottage on 2 acres (0.81 ha) of land, situated along the Sudbury River in Concord, Massachusetts. The three years they spent at the rented Hosmer Cottage were described as idyllic.[10] By 1843, the Alcott family moved, along with six other members of the Consociate Family,[8] to the Utopian Fruitlands community for a brief interval in 1843–1844. After the collapse of the Utopian Fruitlands, they rented rooms and finally, with Abigail May Alcott's inheritance and financial help from Emerson, they purchased a homestead in Concord. They moved into the home they named "Hillside" on April 1, 1845, but had moved on by 1852, when it was sold to Nathaniel Hawthorne, who renamed it The Wayside. Moving 21 times in 30 years, the Alcotts returned to Concord once again in 1857 and moved into Orchard House, a two-story clapboard farmhouse, in the spring of 1858.

 
Louisa May Alcott

Alcott's early education included lessons from the naturalist Henry David Thoreau who inspired her to write the poem Thoreau's Flute based on her time at Walden Pond. She was primarily educated by her father, who was strict and believed in "the sweetness of self-denial."[8] She also received some instruction from writers and educators such as Ralph Waldo Emerson, Nathaniel Hawthorne, Margaret Fuller, and Julia Ward Howe, all of whom were family friends. She later described these early years in a newspaper sketch entitled "Transcendental Wild Oats." The sketch was reprinted in the volume Silver Pitchers (1876), which relates the family's experiment in "plain living and high thinking" at Fruitlands.[11] She was also instructed by Sophia Foord, who lived with the family for a time, and whom she would later eulogize.[12]

Poverty made it necessary for Alcott to go to work at an early age as a teacher, seamstress, governess, domestic helper, and writer. Her sisters also supported the family, working as seamstresses, while their mother took on social work among the Irish immigrants. Only the youngest, Abigail, was able to attend public school. Due to all of these pressures, writing became a creative and emotional outlet for Alcott.[8] Her first book was Flower Fables (1849), a selection of tales originally written for Ellen Emerson, daughter of Ralph Waldo Emerson.[11] Alcott is quoted as saying "I wish I was rich, I was good, and we were all a happy family this day"[13] and was driven in life not to be poor.

In 1847, Alcott and her family served as station masters on the Underground Railroad, when they housed a fugitive slave for one week and had discussions with Frederick Douglass.[14] Alcott read and admired the Declaration of Sentiments published by the Seneca Falls Convention on women's rights, advocating for women's suffrage and became the first woman to register to vote in Concord, Massachusetts in a school board election.[15] The 1850s were hard times for the Alcotts, and in 1854 Louisa found solace at The Boston Theatre where she wrote The Rival Prima Donnas, which she later burned due to a quarrel between the actresses over who would play what role. At one point in 1857, unable to find work and filled with despair, Alcott contemplated suicide. During that year, she read The Life of Charlotte Brontë by Elizabeth Gaskell and found many parallels between Charlotte Brontë's life and her own.[16][17] In 1858, her younger sister Elizabeth died and her older sister Anna married a man named John Pratt. Alcott considered these events catalysts to breaking up their sisterhood.[8]

Life in Dedham edit

Alcott's mother, Abba, ran an "intelligence office" to help the destitute find employment.[18] When James Richardson came to Abba in the winter of 1851 seeking a companion for his frail sister who could also help out with some light housekeeping, Alcott volunteered to serve in the house filled with books, music, artwork, and good company on Highland Avenue.[19] Alcott may have imagined the experience as something akin to being a heroine in a Gothic novel as Richardson described their home in a letter as stately but decrepit.[19]

Richardson's sister, Elizabeth, was 40 years old and suffered from neuralgia.[19] She was shy and did not seem to have much use for Alcott.[19] Instead, Richardson spent hours reading her poetry and treating her like his confidant and companion, sharing his personal thoughts and feelings with her.[19] Alcott reminded Richardson that she was supposed to be Elizabeth's companion, not his, and she was tired of listening to his "philosophical, metaphysical, and sentimental rubbish."[19] He responded by assigning her more laborious duties, including chopping wood and scrubbing the floors.[19]

Alcott quit after seven weeks, when neither of the two girls her mother sent to replace her decided to take the job.[19] As she walked from Richardson's home to Dedham station, she opened the envelope he handed her with her pay.[19] According to Alcott family tradition, she was so unsatisfied with the four dollars she found inside that she mailed the money back to him in contempt.[19]

She later wrote a slightly fictionalized account of her time in Dedham titled How I went into service, which she submitted to Boston publisher James T. Fields.[20] He rejected the piece, telling Alcott that she had no future as a writer.[20]

Literary success edit

 
Louisa May Alcott

As an adult, Alcott was an abolitionist and a feminist. In 1860, Alcott began writing for the Atlantic Monthly. When the American Civil War broke out, she served as a nurse in Union Hospital in the Georgetown area of Washington, D.C., for six weeks in 1862–1863.[11] She intended to serve three months as a nurse, but contracted typhoid fever and became deathly ill halfway through her service, although she eventually recovered. Her letters home—revised and published in the Boston anti-slavery paper Commonwealth and collected as Hospital Sketches (1863, republished with additions in 1869)[11]—brought her first critical recognition for her observations and humor.[21] This was her first book and was inspired by her army experience.[22] She wrote about the mismanagement of hospitals, the indifference and callousness of some of the surgeons she encountered, and her passion for seeing the war firsthand.[23] Her main character, Tribulation Periwinkle, shows a passage from innocence to maturity and is a "serious and eloquent witness".[8] Her novel Moods (1864), based on her own experience, was also promising.[24]

After she served as a nurse, Alcott's father wrote her a heartfelt poem titled "To Louisa May Alcott. From her father".[25] The poem describes her father's pride in her nursing work, helping injured soldiers, and bringing cheer and love into their home. He ends the poem by telling her she's in his heart for being a selfless faithful daughter. This poem was featured in the books Louisa May Alcott: Her Life, Letters, and Journals (1889) and Louisa May Alcott, the Children's Friend, which details her childhood and close relationship with her father.[26]

Between 1863 and 1872, Alcott anonymously wrote at least thirty-three "gothic thrillers" for popular magazines and papers such as The Flag of Our Union; they were rediscovered in 1975.[27] In the mid-1860s she wrote passionate, fiery novels and sensation stories akin to those of English authors Wilkie Collins and Mary Elizabeth Braddon under the nom de plume A. M. Barnard. Among these are A Long Fatal Love Chase and Pauline's Passion and Punishment.[28] The protagonists of these books, like those of Collins and Braddon (who also included feminist characters in their writings), are strong, smart, and determined. She also wrote stories for children and she did not return to writing for adults after her children’s stories became popular. Alcott also wrote the novelette A Modern Mephistopheles (1877), which was published anonymously and then believed to be the work of Julian Hawthorne,[29] and the semi-autobiographical novel Work (1873).

Catherine Ross Nickerson credits Alcott with creating one of the earliest works of detective fiction in American literature, preceded only by Edgar Allan Poe's "The Murders in the Rue Morgue" and his other Auguste Dupin stories, with the 1865 thriller "V.V., or Plots and Counterplots." Alcott published the story anonymously and it concerns a Scottish aristocrat who tries to prove that a mysterious woman has killed his fiancée and cousin. The detective on the case, Antoine Dupres, is a parody of Poe's Dupin who is less concerned with solving the crime than in setting up a way to reveal the solution with a dramatic flourish.[30]

Alcott achieved further success with the first part of Little Women: or Meg, Jo, Beth and Amy (1868), a semi-autobiographical account of her childhood with her sisters in Concord, Massachusetts, published by the Roberts Brothers. When Alcott returned to Boston following her travels in Europe, she became an editor of the children's magazine Merry's Museum. There she met Thomas Niles, who encouraged the writing of Part I of the novel by asking her to create a book, especially for girls.[31] Part II, or Part Second, also known as Good Wives (1869), followed the March sisters into adulthood and marriage. Little Men (1871) detailed Jo's life at the Plumfield School she founded with her husband Professor Bhaer after Part Two of Little Women. Lastly, Jo's Boys (1886) completed the "March Family Saga".

 
Louisa May Alcott commemorative stamp, 1940 issue

In Little Women, Alcott based her heroine "Jo" on herself. However, Jo marries at the end of the story, whereas Alcott remained single throughout her life. She explained her "spinsterhood" in an interview with Louise Chandler Moulton, saying "I am more than half-persuaded that I am a man's soul put by some freak of nature into a woman's body.... because I have fallen in love with so many pretty girls and never once the least bit with any man.”[32][33] However, Alcott's romance while in Europe with the young Polish man Ladislas "Laddie" Wisniewski was detailed in her journals but then deleted by Alcott before her death.[34][35] Alcott identified Laddie as the model for the character Laurie in Little Women.[36] Likewise, each of her characters seems to have parallels with people from Alcott's life—from Beth's death mirroring Lizzie's to Jo's rivalry with the youngest sister, Amy, mirroring Alcott's own rivalry with her sister (Abigail) May.[37][38] Though Alcott never married, she did take in May's daughter, Louisa, after May's untimely death in 1879, caring for little "Lulu" for the next eight years.[39]

In addition to drawing on her own life during the development of Little Women, Alcott also took influence from several of her earlier works including "The Sisters' Trial," "A Modern Cinderella," and "In the Garret." The characters within these short stories and poems, in addition to Alcott's own family and personal relationships, inspired the general concepts and bases for many of the characters in Little Women and the author's subsequent novels.[40]

Little Women was well-received, with critics and audiences finding it to be a fresh, natural representation of daily life suitable for many age groups. An Eclectic Magazine reviewer called it "the very best of books to reach the hearts of the young of any age from six to sixty".[41] With the success of Little Women, Alcott shied away from public attention and would sometimes act as a servant when fans came to her house.

 
Louisa May Alcott's grave in Sleepy Hollow Cemetery, Concord, Massachusetts.

Along with Elizabeth Stoddard, Rebecca Harding Davis, Anne Moncure Crane, and others, Alcott was part of a group of female authors during the Gilded Age who addressed women's issues in a modern and candid manner. Their works were, as one newspaper columnist of the period commented, "among the decided 'signs of the times".[42]

Louisa May Alcott was inducted into the National Women's Hall of Fame in 1996.[43]

Later years edit

In 1877, Alcott was one of the founders of the Women's Educational and Industrial Union in Boston.[44] After her youngest sister May died in 1879, Louisa assumed the care of her niece, Lulu, who was named after Louisa. Alcott suffered chronic health problems in her later years,[45] including vertigo.[46] She and her earliest biographers[47] attributed her illness and death to mercury poisoning. During her American Civil War service, Alcott contracted typhoid fever and was treated with calomel, a compound containing mercury.[35][45] Recent analysis of Alcott's illness suggests that her chronic health problems may have been associated with an autoimmune disease, not mercury exposure. However, mercury is a known trigger for autoimmune diseases as well. An 1870 portrait of Alcott does show her cheeks to be quite flushed, perhaps with the "butterfly rash" across cheeks and nose which is often characteristic of lupus,[45][47] but there is no conclusive evidence available for a firm diagnosis.

Alcott died of a stroke[48] at age 55 in Boston, on March 6, 1888,[46] two days after her father's death.[22] She is buried in Sleepy Hollow Cemetery in Concord, near Emerson, Hawthorne, and Thoreau, on a hillside now known as "Authors' Ridge".[49] Her niece Lulu was only eight years old when Louisa died. She was cared for by Anna Alcott Pratt, then reunited with her father in Europe and lived abroad until her death in 1976.

Louisa frequently wrote in her journals about going on long walks and runs. She challenged prevailing social norms regarding gender by encouraging her young female readers to run as well.[50][51]

The Alcotts' Concord, Massachusetts home, Orchard House (c. 1650), where the family lived for 25 years and where Little Women was written and set in 1868, has been a historic house museum since 1912, and pays homage to the Alcotts by focusing on public education and historic preservation. Her Boston home is featured on the Boston Women's Heritage Trail.[52]

Selected works edit

 
Bust of Louisa May Alcott

The Little Women series edit

  • Little Women, or Meg, Jo, Beth and Amy (1868)
  • Second Part of Little Women, or Good Wives, published in 1869 and afterward published together with Little Women.
  • Little Men: Life at Plumfield with Jo's Boys (1871)
  • Jo's Boys and How They Turned Out: A Sequel to "Little Men" (1886)

Novels edit

As A. M. Barnard edit

Published anonymously edit

Short story collections for children edit

  • Aunt Jo's Scrap-Bag (1872–1882). (66 short stories in six volumes)
    • 1. "Aunt Jo's Scrap-Bag"
    • 2. "Shawl-Straps"
    • 3. "Cupid and Chow-Chow"
    • 4. "My Girls, Etc."
    • 5. "Jimmy's Cruise in the Pinafore, Etc."
    • 6. "An Old-Fashioned Thanksgiving, Etc."
  • Lulu's Library (1886–1889) A collection of 32 short stories in three volumes.
  • Flower Fables (1854)
  • On Picket Duty, and other tales (1864)
  • Morning-Glories and Other Stories (1867) Eight fantasy stories and four poems for children, including: *"A Strange Island", (1868); * "The Rose Family: A Fairy Tale" (1864), "A Christmas Song", "Morning Glories", "Shadow-Children", "Poppy's Pranks", "What the Swallows did", "Little Gulliver", "The Whale's story", "Goldfin and Silvertail".
  • Kitty's Class Day and Other Stories (Three Proverb Stories), 1868, (includes "Kitty's Class Day", "Aunt Kipp" and "Psyche's Art")
  • Spinning-Wheel Stories* (1884). A collection of 12 short stories.
  • The Candy Country (1885) (One short story)
  • May Flowers (1887) (One short story)
  • Mountain-Laurel and Maidenhair (1887) (One short story)
  • A Garland for Girls (1887). A collection of seven short stories, including "May Flowers", "An Ivy Spray and Ladies' Slippers", "Pansies", "Water-Lilies", "Poppies and Wheat", "Little Button-Rose", and "Mountain-Laurel and Maidenhair".
  • Morning Glories and Queen Aster (1904) Two short stories.[53]
  • The Brownie and the Princess (2004). A collection of ten short stories.

Other short stories and novelettes edit

In popular culture edit

Little Women inspired film versions in 1933, 1949, 1994, 2018, and 2019. The novel also inspired television series in 1958, 1970, 1978, and 2017, anime versions in 1981 and 1987, and a 2005 musical. Little Women also inspired a BBC Radio 4 version in 2017.[54] Geraldine Brooks’s 2006 novel March tells the backstory of the absent father in Little Women. It won the 2006 Pulitzer Prize.[55]

Little Men inspired film versions in 1934, 1940, and 1998. This novel also was the basis for a 1998 television series.

Other films based on Alcott novels and stories are An Old-Fashioned Girl (1949), The Inheritance (1997), and An Old Fashioned Thanksgiving (2008). In 2009 PBS produced an American Masters episode titled "Louisa May Alcott – The Woman Behind 'Little Women' ". In 2016 a Google Doodle of the author was created by Google artist Sophie Diao.[56]

A dramatized version of Alcott appeared as a character in the television series Dickinson, in the episode "There's a Certain Slant of Light," which premiered on November 1, 2019. Alcott was portrayed by Zosia Mamet.[57]

References edit

Citations edit

  1. ^ a b c Cullen-DuPont, Kathryn (2000). Encyclopedia of women's history in America. Infobase Publishing. pp. 8–9. ISBN 978-0-8160-4100-8. Archived from the original on January 13, 2023. Retrieved August 24, 2017.
  2. ^ "Humanity, Said Edgar Allan Poe, Is Divided Into Men, Women, And Margaret Fuller". American Heritage. Archived from the original on December 28, 2022. Retrieved December 28, 2022.
  3. ^ "Louisa May Alcott: The Woman Behind 'Little Women'". American Masters. PBS. December 2009. Archived from the original on August 3, 2020. Retrieved May 2, 2020.
  4. ^ "Louisa May Alcott". University of Alabama. 2005. Archived from the original on December 5, 2020. Retrieved September 3, 2020.
  5. ^ Norwich, John Julius (1990). Oxford Illustrated Encyclopedia Of The Arts. USA: Oxford University Press. p. 11. ISBN 978-0-19-869137-2.
  6. ^ Freeman, Jean R. (April 23, 2015). "Louisa May Alcott, a spinster hero for single women of all eras". The Washington Post. Archived from the original on November 8, 2020. Retrieved October 25, 2023.
  7. ^ "Louisa M. Alcott Dead". The New York Times. March 7, 1888. Archived from the original on January 6, 2018. Retrieved April 2, 2018. The parents of the authoress removed to Boston when their daughter was 2 years old, and in Boston and its immediate vicinity she made her home ever after.
  8. ^ a b c d e f g Alcott, Louisa May (1988). Showalter, Elaine (ed.). Alternative Alcott. Rutgers University Press. ISBN 978-0813512723. Alternative Alcott By Louisa May Alcott by Elaine Showalter.
  9. ^ "Alcott: 'Not the Little Woman You Thought She Was'". Morning Edition. NPR. December 28, 2009. Archived from the original on March 22, 2018. Retrieved April 2, 2018.
  10. ^ Cheever, Susan (2011) [2010]. Louisa May Alcott: A Personal Biography (1st ed.). Simon and Schuster. p. 45. ISBN 978-1416569923.
  11. ^ a b c d Richardson, Charles F. (1911). "Alcott, Louisa May" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 1 (11th ed.). Cambridge University Press. p. 529.
  12. ^ Parr 2009, p. 73-4.
  13. ^ Reisen, Harriet (December 29, 2009). "Alcott: 'Not The Little Woman You Thought She Was'". NPR. Archived from the original on March 22, 2018. Retrieved April 2, 2018.
  14. ^ "Louisa May Alcott: The Woman Behind Little Women, The Alcotts". Nancy Porter Productions, Inc. 2015. Archived from the original on February 3, 2015. Retrieved February 2, 2015.
  15. ^ Brooks, Rebecca Beatrice (September 19, 2011). "Louisa May Alcott: The First Woman Registered to Vote in Concord". History of Massachusetts. Archived from the original on February 3, 2018. Retrieved April 2, 2018.
  16. ^ Showalter, Elaine (March 1, 2004). "Moor, Please: New books on the Bronte phenomenon". Slate. Archived from the original on February 7, 2020. Retrieved December 25, 2022.
  17. ^ Doyle, Christine (2003). Louisa May Alcott and Charlotte Bronte: Transatlantic Translations. Univ. of Tennessee Press. p. 3. ISBN 1572332417.
  18. ^ Parr 2009, p. 71.
  19. ^ a b c d e f g h i j Parr 2009, p. 72.
  20. ^ a b Parr 2009, p. 73.
  21. ^ Peck, Garrett (2015). Walt Whitman in Washington, D.C.: The Civil War and America's Great Poet. Charleston, SC: The History Press. pp. 73–76. ISBN 978-1626199736.
  22. ^ a b   One or more of the preceding sentences incorporates text from a publication now in the public domain: Johnson, Rossiter, ed. (1906). "Alcott, Louisa May". The Biographical Dictionary of America. Vol. 1. Boston: American Biographical Society. pp. 68–69.
  23. ^ Dromi, Shai M. (2020). Above the fray: The Red Cross and the making of the humanitarian NGO sector. Chicago: Univ. of Chicago Press. p. 26. ISBN 9780226680101. Archived from the original on October 29, 2020. Retrieved June 12, 2020.
  24. ^ Elbert 1984)
  25. ^ To Louisa May Alcott. By Her Father. Archived from the original on May 14, 2019. Retrieved May 14, 2019.
  26. ^ "Oxford Art". Archived from the original on December 10, 2010. Retrieved May 14, 2019.
  27. ^ Franklin, Rosemary F., "Louisa May Alcott's Father(s) and 'The Marble Woman'" in ATQ (The American Transcendental Quarterly) Vol. 13, No. 4 (1999).
  28. ^ "A Brief History of Summer Reading". The New York Times. July 31, 2021. Archived from the original on August 3, 2021. Retrieved August 3, 2021.
  29. ^ "1870's Louisa May Alcott". Archived from the original on December 25, 2022. Retrieved December 25, 2022.
  30. ^ Ross Nickerson, Catherine (July 8, 2010). "4: Women Writers Before 1960". In Catherine Ross Nickerson (ed.). The Cambridge Companion to American Crime Fiction. Cambridge University Press. p. 31. ISBN 978-0-521-13606-8.
  31. ^ "Louisa May Alcott". Boston Women's Heritage Trail. Archived from the original on November 24, 2020. Retrieved November 17, 2020.
  32. ^ Moulton, Louise Chandler (1884). "Louisa May Alcott". Our Famous Women: An Authorized Record of the Lives and Deeds of Distinguished American Women of Our Times. A. D. Worthington & Company. p. 49.
  33. ^ Martin, Lauren (November 29, 2016). "Louisa May Alcott's Quotes That Lived 184 Years". Words of Women. Archived from the original on June 3, 2019. Retrieved June 3, 2019.
  34. ^ Stern, Madeleine B.; Daniel Shealy, eds. (1993). "Introduction". The Lost Stories of Louisa May Alcott. New York: Citadel Press. ISBN 0-8065-1654-2. Retrieved September 14, 2015.
  35. ^ a b Hill, Rosemary (February 29, 2008). "From little acorns, nuts: Review of 'Eden's Outcasts: The Story of Louisa May Alcott and Her Father' by John Matteson". The Guardian. Archived from the original on December 1, 2016. Retrieved December 12, 2016. Louisa succumbed to typhoid pneumonia within a month and had to be taken home. Although she narrowly survived the illness she did not recover from the cure. The large doses of calomel—mercurous chloride—she was given poisoned her and she was never well again.
  36. ^ Sands-O'Connor, Karen (March 1, 2001). "Why Jo Didn't Marry Laurie: Louisa May Alcott and The Heir of Redclyffe". American Transcendental Quarterly. 15 (1): 23.[dead link]
  37. ^ Reisen, Harriet (2009). Louisa May Alcott: The Woman Behind Little Women. John MacRae Books. ISBN 978-0805082999.
  38. ^ "Introduction". Little Women. Penguin Classics. 1989. ISBN 0-14-039069-3.
  39. ^ Stern, Madeleine B. (1999). Louisa May Alcott: A Biography: with an Introduction to the New Edition. UPNE. ISBN 978-1555534172.
  40. ^ Stern, Madeleine B. (1999). Louisa May Alcott. Boston: Northeastern University Press. pp. 168–182. ISBN 978-1555534172.
  41. ^ Clark, Beverly Lyon (2004). Louisa May Alcott: The Contemporary Reviews. Cambridge University Press. ISBN 978-0521827805.
  42. ^ "Review 2 – No Title". The Radical. May 1868.
  43. ^ "National Women's Hall of Fame, Louisa May Alcott". Archived from the original on November 20, 2018. Retrieved November 19, 2018.
  44. ^ Sander, Kathleen Waters (1998). The Business of Charity: The Woman's Exchange Movement, 1832–1900. University of Illinois Press. p. 66. ISBN 0252067037.
  45. ^ a b c Lerner, Maura (August 12, 2007). "A diagnosis, 119 years after death". Star Tribune. Archived from the original on May 17, 2008.
  46. ^ a b Donaldson, Norman and Betty (1980). How Did They Die?. Greenwich House. ISBN 0-517-40302-1.
  47. ^ a b Hirschhorn, Norbert; Greaves, Ian (Spring 2007). "Louisa May Alcott: Her Mysterious Illness". Perspectives in Biology and Medicine. 50 (2): 243–259. doi:10.1353/pbm.2007.0019. PMID 17468541. S2CID 26383085.
  48. ^ Hirschhorn, N.; Greaves, I. A. (2007). "Louisa May Alcott: her mysterious illness". Perspectives in Biology and Medicine. 50 (2): 243–259. doi:10.1353/pbm.2007.0019. PMID 17468541. S2CID 26383085.
  49. ^ Isenberg, Nancy; Andrew Burstein, eds. (2003). Mortal Remains: Death in Early America. University of Pennsylvania Press. p. 244 n42.
  50. ^ Reisen, Harriet (2009). Louisa May Alcott: The Woman Behind Little Women. New York City: Henry Holt and Company. p. 188. ISBN 978-0312658878.
  51. ^ Allen, Amy Ruth (1998). Louisa May Alcott. Minneapolis: Lerner Publishing Group. pp. 22. ISBN 978-0822549383.
  52. ^ "Louisa May Alcott". Boston Women's Heritage Trail. Archived from the original on March 15, 2016. Retrieved January 12, 2016.
  53. ^ Alcott, Louisa May. Morning Glories and Queen Aster. Little, Brown.
  54. ^ "Little Women". BBC. Archived from the original on January 4, 2021. Retrieved January 2, 2021.
  55. ^ "The 2006 Pulitzer Prize Winner in Fiction". The Pulitzer Prizes. Archived from the original on May 1, 2013. Retrieved August 19, 2023.
  56. ^ "Louisa May Alcott Google doodle marks 184th birthday of 'Little Women' author". Search Engine Land. November 29, 2016. Archived from the original on August 9, 2018. Retrieved August 9, 2018.
  57. ^ ""Dickinson" There's a Certain Slant of Light". IMDB. Archived from the original on January 5, 2022. Retrieved March 17, 2020.

Print sources edit

Further reading edit

External links edit

 
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Library resources about
Louisa May Alcott
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External videos
  Presentation by Harriet Reisen on Louisa May Alcott: The Woman Behind Little Women, November 12, 2009, C-SPAN

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